Mies van der Rohe and Neo-Miesian Architecture

The United States has a love-hate relationship with Mies van der Rohe. Some say he stripped architecture of all humanity, creating cold, sterile, and unlivable environments. Others praise his work, saying he created architecture in its most pure form. Believing that less is more, Mies van der Rohe became the designer of rational, minimalist skyscrapers, houses, and furniture. Along with the Viennese architect Richard Neutra (1892–1970) and the Swiss architect  Le Corbusier  (1887–1965),  Mies van der Rohe not only set the standard for all modernist design but brought European modernism to America. Background Maria Ludwig Michael Mies was born on March 27, 1886, in Aachen, Germany. He changed his name in 1912 when he opened his own design practice in Berlin, adopting his mothers maiden name, van der Rohe. In todays world of one-name wonders, he is simply called  Mies  (pronounced  Meez  or often  Mees). Education Ludwig Mies van der Rohe began his career in his familys stone-carving business in Germany, learning about the trade from his father who was a master mason and stonecutter. When he was a teenager, he worked as a draftsman for several architects. Later, he moved to Berlin, where he found work in the offices of architect and furniture designer Bruno Paul and industrial architect Peter Behrens. Career Early in his life, Mies van der Rohe began experimenting with steel frames and glass walls, a style that would become known as International. He was the third director of the Bauhaus School of Design, after Walter Gropius and Hannes Meyer, from 1930 until it disbanded in 1933. He moved to the United States in 1937, and for 20 years (1938–1958), he was the director of architecture at the Illinois Institute of Technology (IIT), where he taught his students to build first with wood, then stone, and then brick before progressing to concrete and steel. He believed that architects must completely understand their materials before they can design. Although Mies was not the first architect to practice simplicity in design, he carried the ideals of rationalism and minimalism to new levels. His glass-walled Farnsworth House near Chicago stirred controversy and legal battles. His bronze and glass Seagram Building in New York City (designed in collaboration with Philip Johnson) is considered Americas first glass skyscraper. The Meis philosophy that less is more became a guiding principle for architects in the mid-20th century, and many of the worlds skyscrapers are modeled after his designs. What Is Neo-Miesian? Neo  means  new.  Miesian  refers to Mies van der Rohe. Neo-Miesian  builds upon the beliefs and approaches that Mies practiced—the less is more minimalist buildings in glass and steel. Although Miesian buildings are unornamented, they are not plain.  For example, the famous Farnsworth House combines glass walls with pristine white steel columns. Believing that God is in the details, Mies van der Rohe achieved visual richness through his meticulous and sometimes surprising choice of materials. The towering glass Seagram Building uses bronze beams to accentuate the structure. Interiors juxtapose the whiteness of stone against the swooping, fabric-like wall panels. Some critics call the 2011 Pritzker Prize-winning Portuguese architect Eduardo Souto de Moura neo-Miesian. Like Mies, Souto de Moura (born in 1952) combines simple forms with complex textures. In their citation, the Pritzker Prize jury noted that Souto de Moura has the confidence to use stone that is a thousand years old or to take inspiration from a modern detail by Mies van der Rohe. Although nobody has called Pritzker Laureate Glenn Murcutt (born in 1936) a neo-Miesian, Murcutts simple designs show a Miesian influence. Many of  Murcutts houses in Australia, like the Marika-Alderton House, are elevated on stilts and built on above-ground platforms—taking a page from the Farnsworth House playbook. The Farnsworth House was built in a floodplain, and Murcutts above-ground coastal houses are raised for protection from tidal surges. But Murcutt builds on van der Rohes design—circulating air not only cools the house but also helps keep the Australian critters from finding easy shelter. Perhaps Mies thought of that, too. Death On August 17, 1969, at the age of 83, Mies van der Rohe died of esophageal cancer at Chicago’s Wesley Memorial Hospital. He is buried in nearby Graceland Cemetery. Important Buildings Some of the more notable building designs by Meis, include: 1928-29: Barcelona Pavilion1950: The Farnsworth House, Plano, Illinois1951: Lake Shore Drive Apartments, Chicago1956: Crown Hall, Chicago1958: Seagram Building, New York (with Philip Johnson)1959-74: Federal Center, Chicago Furniture Designs Some of the more notable furniture designs by Meis, include: 1927: Side Chair (MR 10)1929: The Barcelona ® Chair1930: Brno Flat Bar Chair1948: Mies allowed one of his protà ©gà ©s, Florence Knoll, exclusive rights to produce his furniture. Learn more from Knoll, Inc.